New Nicki Minaj Album Out in Early 2012, Says Birdman. Is aiming to have her still-untitled sophomore album out in early 2012. 'Nicki's back in the studio, so we're looking to drop Nicki in.
Pink Friday: Roman Reloaded 's split personality is perfectly suited for playlist culture. AP Images Nicki Minaj isn't crazy, but she acts like she is. That's acts in the Shakespearian sense: She's invented a psychotic, male alter-ego named Roman Zolanski who slobbers out his consonants and, on the opening track off her new album, proclaims himself 'a lunatic that can't be cured by no elixir.' Minaj's ouevre—various mixtapes, 2010's Pink Friday, lots of guest spots on top-charting songs, and, this week, Pink Friday: Roman Reloaded—is littered with references to her own madness. The first real song on her breakout Beam Me Up Scotty mixtape is entitled and sees Minaj muttering about straight jackets and padded cells.
It's a shtick that fits Minaj's mercurial vocal style. When rapping, she caterwauls from valley-girl scoff to Count Chocula bellow. When singing, she veers from competent croon to a purposefully incompetent karaoke warble. But Minaj's new album is getting labeled ' and ' for none of these reasons. Yes, she, as usual, feigns crazy, but the really disconcerting thing is the breadth of the record: 19 songs in all, with the first half in hip-hop mode and the second, for the most part, delivering the house-inflected club pop produced by the same people behind some of Lady Gaga's and Rihanna's biggest smashes. The differences between the two parts of the record are drastic. In the first half, Minaj's madwoman persona is inescapable—she crosses death threats with boasts about working as a voice actor in the new Ice Age—and in the second half, it's nearly vanished.
A good number of these tracks are unmistakable hits, though they're not unmistakably Nicki Minaj songs. Double-sided albums are nothing new, but there's something mercenary in the album's shotgun-style approach.
Minaj's major-label debut sold well enough but didn't produce a true, radio-conquering hit until fans rallied behind bonus track and Minaj's label released the song as a single. That's not likely to happen with Roman Reloaded: At 19 tracks (22 on the deluxe edition), there's a sense that nothing's been held back. As a few critics have pointed out, it may be among the first major pop albums to fully embrace playlist culture—by barely even trying to present itself as an album. Turns out, pop's greatest self-styled mental case might just be its most Machiavellian. Here's.it's not a classic album, but its contents implicitly argue that the concept of a 'classic album' has become irrelevant in 2012 anyway. O ne day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas.
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She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said.
“Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. “We’ll go with my mom and brothers and walk a little behind them. I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.” Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on their phones, unchaperoned.
Unlike the teens of my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other.
Sometimes they save screenshots of particularly ridiculous pictures of friends. “It’s good blackmail,” Athena said.
(Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out alone in her room with her phone. That’s just the way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.”. A lot of factors have contributed to American inequality: slavery, economic policy, technological change, the power of lobbying, globalization, and so on. In their wake, what’s left?
That’s the question at the heart of a new book, The Vanishing Middle Class: Prejudice and Power in a Dual Economy, by Peter Temin, an economist from MIT. Temin argues that, following decades of growing inequality, America is now left with what is more or less a two-class system: One small, predominantly white upper class that wields a disproportionate share of money, power, and political influence and a much larger, minority-heavy (but still mostly white) lower class that is all too frequently subject to the first group’s whims. This year, podcasts got funnier, sharper, and even more niche.
Our recommendations here pass a vigorous audio smell test. First, the arrival of a new podcast episode must send you into an ethical quandary: How do I get out of at least some of my obligations today to listen to this? Second, you must be able to recommend this to a colleague with the knowledge that your reputation is at stake. A podcast that teaches you how to prepare your taxes by hand might blow your hair back, but it’s doubtful you’ll recommend it to anyone aside from your accountant. Third, we recused ourselves from ranking any podcasts produced by The Atlantic, including and. Finally, the podcast world, like any other sphere, is about what have you done for me lately.
The best shows don’t paint themselves into a corner. They evolve and progress or risk their listeners hitting “unsubscribe.” Podcasts, like cowboys, shouldn’t get fenced in. These shows generated maximum buzz, kept us refreshing our apps, broke boundaries, and made our future selves romanticize the golden years of podcasting. President Trump wields great power. Those who believe him to be a cruel, dishonest man who is glaringly unqualified to preside over the executive branch or U.S. Foreign policy, should welcome challenges from the left, right, and center to his administration. But is the American left capable of political success right now?
Its recent win-loss record is poor, whether one begins with the Seattle WTO protests, the anti-war marches of 2003, the push for immigration reform, Occupy Wall Street, or Black Lives Matter. And observing the left during the first 100 days of the Trump administration, I am beginning to despair that its pathologies are growing in strength at the very moment when the worst of the right is ascendant, too.
The year 2017 has turned out to be a good one for rocket science in the United States. American companies made 29 successful rocket launches into orbit, the highest figure since 1999, which saw 31 launches, according to a maintained by Gunter Krebs, a spaceflight historian in Germany. The final launch of the year, by a SpaceX Falcon 9 rocket carrying a cache of commercial communications satellites, took place Friday night at Vandenberg Air Force Base in California. SpaceX, Elon Musk’s private spaceflight company, is responsible for most of this year’s launches. After a brief hiatus following an explosion in September 2016 that destroyed a Falcon 9 and its $200 million commercial payload, SpaceX in mid-January. At the time, the success of the launch was imperative; SpaceX had lost another rocket in June 2015, about two minutes after takeoff, and its rocket-fueling process was receiving by a NASA safety advisory group. NASA was entering its fifth year of using SpaceX rockets for resupply missions to the International Space Station, and future deals were on the line.
What is bitcoin? An investment? A technology? What is even happening?
All of these questions seem like reasonable ones to ask, as its price has surged and plummeted. Bitcoin is many things: for more like the dollar and the euro, a, a payments mechanism, a means of hiding transactions from various governments and tax collectors, and a monetary innovation that might legitimately the. Yet cryptocurrencies, such as bitcoin, are also a bubbly, frothy, and overhyped phenomenon—a latter-day version of a, boosted by drug dealers, digital evangelists, Wall Street types, and a large twinset of. Sure, sophisticated investors are pouring money in.
But neophyte investors are charging bitcoins to their credit cards. A company called Long Island Iced Tea, purveyor of virgin lemonades and steeped drinks, added “” to its name and saw its stock price jump as much as 500 percent. Companies are raising vast sums on the public markets via.
The prices of various currencies are spiraling around like a loose tab of acid lost in a dust storm at Burning Man. It is getting weird out there. In a typical American classroom, there are nearly as many diagnosable cases of ADHD as there are of the common cold. In 2008, researchers from the Slone Epidemiology Center at Boston University found that almost 10 percent of children use cold remedies at any given time. The latest statistics out of the Centers for Disease Control and Prevention estimate that the same proportion has ADHD. The rising number of ADHD cases over the past four decades is staggering. In the 1970s, a mere one percent of kids were considered ADHD.
By the 1980s, three to five percent was the presumed rate, with steady increases into the 1990s. One eye-opening study showed that ADHD medications were being administered to as many as 17 percent of males in two school districts in southeastern Virginia in 1995. Power dressing is usually associated with white-collar women of the 1970s and ’80s—women who.
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This look was iconic in its caricature: architectural shoulder pads, big hair, double-breasted jackets, and sensible heels. In film and television, power dressing suggested that hard work and a little feminist ingenuity was enough to propel a woman to the top. She’s Dolly Parton in Nine to Five, Melanie Griffith in Working Girl, Faye Dunaway in Network. She’s Grace Jones on the runway, Elaine Benes with a cigar between her teeth, heels kicked up on J. Peterman’s desk. But power dressing appeared, in different forms, long before it became popular near the end of the 20th century. Women entered the workforce during the two world wars, only to be expelled from it (or sexualized in it) by the mid-century.
Women have returned to the workplace many times since, whether thanks to women’s lib, through small-business ownership, or, most recently, by “.” In each case, defying the male gaze in the workplace and public life took serious negotiating. That negotiation began, in part, with power suits. The employers who can’t seem to fill the United States’s roughly are at a loss for what to do.
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Qualified candidates are seemingly nowhere to be found. In Washington, D.C., for example, there aren’t enough workers who have the healthcare-management or sales skills to meet the demands of the hospitals and retail stores and banks desperate to hire, according to by LinkedIn’s Economic Graph Team. Philadelphia has so many job openings that can’t be filled because its residents lack skills in areas including politics and retail. Policymakers such as Education Secretary Betsy DeVos say the solution is to recognize the range of avenues by which someone can become “qualified” for a given job. Nontraditional forms of education, such as apprenticeships—in which students can participate in on-the-job training while earning subsidized salaries—are gaining support among Republicans and Democrats alike. 'We need to stop forcing kids into believing a traditional four-year degree is the only pathway to success,' Devos in November at the inaugural meeting of the White House Task Force on Apprenticeship Expansion.
'We need to start treating students as individuals. Not boxing them in.' But such rhetoric seems to overlook the countless employers that won’t change their hiring criteria because they don’t view nontraditional education as credible.